Pete Carr (1950-2020) – Muscle Shoals Guitarist

Pete Carr
Photo: Dick Cooper

Pete Carr’s lead guitar work graced many of Muscle Shoals’ most memorable tracks. In the late Sixties he joined Gregg and Duane Allman in a pre-Allman Brothers Band, Hour Glass, and later became a session guitar ace, that music city’s first call option.

Carr’s work on 1976 Bob Seger hit “Mainstreet” is his signature track and, now, epitaph. The echoed guitar intro, periodically recurring throughout the song, is brilliant. Not a lot of notes. But all of them take you somewhere. A melody like a memory, perfect for Seger’s nostalgic ballad about an exotic dancer. The 27-second fuzz guitar solo is “Eat a Peach” sweet. In ’76, Carr’s six-string also stung Rod Stewart’s come-hither hit “Tonight’s the Night.” This time, Carr’s tone is colored with a woozy, phaser effect. Outro solo, a harmonized pirouette motif.

Read More about Pete Carr 

Dion’s Blues with Dylan, Springsteen, Morrison, Simon

Dion Dimucci’s Blues With Friends teams him with fellow Rock Hall inductees Van Morrison, Paul Simon, Jeff Beck, Bruce Springsteen and Billy Gibbons.

“My first epiphany with the blues was when I was 12 and heard Hank Williams sing ‘Honky Tonk Blues’,” Dion recalled.

“My second was after I’d recorded (1961’s) ‘Runaround Sue.’ I was at Columbia Records, sitting on a piano stool in a producer’s office, singing with Aretha Franklin. John Hammond’s office was across the hall and he called me in. He said: ‘Dion, you have a flair for the blues.’

“He played me Robert Johnson’s (1927 recording of) ‘Preachin’ Blues’ and then some records by Mississippi Fred McDowell, Leroy Carr and Lightnin’ Hopkins. I just went crazy! I got very excited and resentful at same time. I was like: ‘Who’s been hiding all this from me? How come I never heard this before?’ Then I started collecting records by Big Joe Williams and all those guys who were coming out of that blues tradition, which is a living tradition that is passed along. It’s been a part of me since back then. People who hear my new record may think that I’ve changed, but I really haven’t.”

for more from The San Diego Union Tribune on Blues With Friends click here

WWOZ’s Jazz Festing in Place – the next best thing

Gentilly crowd anticipates John Fogerty at the 2019 New Orleans Jazz Festival

While the New Orleans Jazz and Heritage Festival’s annual pilgrimage was missed this year, WWOZ filled the gap with highlights from the last half century. You can still check out some shows at wwoz.org.

WWOZ keeps the last two weeks of radio shows accessible online

Cyrille Aimée – Off the Wall

Music has the ability to lift the spirits during these trying times. And the blues will get you through. For instance, try French vocalist Cyrille Aimée’s jazzy take of the Michael Jackson pop standard “Off the Wall.” The King of Pop ruled R&B and pop in the early 1980’s. And R&B always had B, and so did jazz. Many think jazz and blues were born together in New Orleans n the late 19th Century. And every once in a while a track grabs you with its minimalism, blue note management and knowing delivery and you stop to think about the blues involved. Enjoy Cyrille’s version and let her blues take your mind off your blues.

“We’re All In This Together” – Mavis Staple and Jeff Tweedy

Just when we need a pick-me-up song and a way to help out, Wilco’s Jeff Tweedy continues his ongoing and amazing collaboration with Stax-Volt soul music legend Mavis Staples.

“The song speaks to what we’re going through now — everyone is in this together, whether you like it or not,” said Staples. “It doesn’t matter how much money you have, what race or sex you are, where you live…It’s hit so many people in our country and around the world in such a horrible way and I just hope this song can bring a little light to the darkness. We will get through this but, we’re going to have to do it together. If this song is able to bring any happiness or relief to anyone out there in even the smallest way, I wanted to make sure that I helped to do that.”

Accordingly, proceeds from the track — available to purchase at Bandcamp — will benefit My Block, My Hood, My City, a Chicago non-profit organization helping seniors get access to the essentials needed to fight COVID-19.

Which One’s Blue?

Pink Floyd, a psychedelic rock band with over 250 million albums sold has had a foot in the blues since day one. Founder Syd Barrett named the band after two Piedmont blues players, Pink Anderson and Floyd Council – settling the question “which one’s Pink.”  The music brought blues riffs galore to the masses courtesy of the guitar stylings of David Gilmour.

Even casual fans may notice the fiery blues licks incorporated in many of the band’s anthems such as “Wish You Were Here,” “Money,” “Have a Cigar”  and “Young Lust.” As Gilmour himself put it:

“I love blues, and every piece of music that I have listened to has become an influence. But you’re right, there’s a distinct blues influence within what I do, but at the same time I am not frightened to step out of that. I don’t even think whether I play the blues or not, I just play whatever feels right at the moment. I also will use any gadget or device that I find that helps me achieve the sort of sound on the guitar that I want to get.”

For more on this topic: https://www.guitarplayer.com/players/david-gilmour-plays-the-blues-video

Alvin Youngblood Hart – BCI #18

Blues-rock guitar master Alvin Youngblood Hart holds forth on playing covers of Led Zeppelin, Bob Dylan, The Rolling Stones, Neil Young, Stephen Foster, Johnny Cash and Tom Petty with footage jamming with Robert Randolph and the Family Band, Luther Dickinson and his own Muscle Theory backing band. Les Paul, Marshall Stacks and Free on rock radio pointed the way to his own unique sound steeped in blues and Mississippi, Memphis and New Orleans tones. Building guitars, and some in-house licks complete the mix with Ric Stewart on the other mic in BCI #18. Subscribe to the series via bluescenters.com

George Porter, Jr. – BCI #17

Funky bassist, Runnin’ Pardner and Meterman George Porter, Jr. holds forth on bass, blues, country and how the Meters got their moniker. The early days as Art Neville and the Boys came to an abrupt ending with a game of chance, or perhaps it was all the design of Rock Hall of Fame writer-producer Allen Toussaint. Catch some funky live licks with Mike Lemmler on keyboards and stickman Terrence Houston caught live. They hold down a Monday night residency at the Maple Leaf.