The New Orleans roots of blues and jazz always featured an Afro-Caribbean element. Writer Ashawnta Jackson offers a look back at what Jelly Roll Morton referred to as a “Spanish tinge.” It emerged from a cultural cross wind including Mexico and re-incorporated Cuban and Spanish sounds.
Mexican influence also found its way to New Orleans’s music scene in the late 1800s and early 1900s through groups like La Orquesta Tipica Mexicana and the Mexican Artistic Quintet, Narváez writes. Musicians like pianist and composer Jelly Roll Morton and his future bandmate Lorenzo Tio Jr., a Creole clarinetist who also had Mexican roots, also combined those influences. As Morton told ethnomusicologist Alan Lomax, “[I]f you can’t manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning, I call it, for jazz.”
At long last! BCI is back with a new episode. Shot in January – March of 2020, Blues Center Interview # 20 offers a portrait of the artist, Malcolm Wellbourne. Better known as Papa Mali, herein you can find out just how. A lucky trip to Jamaica began a lengthy reggae run for the bluesy, swampy, surf-guitar happy camper.
Along the way a keystone highlight is the collaboration with two of the Grateful Dead, drummer Bill Kreutzmann and songwriter Robert Hunter. Together theydrove the 7 Walkers forward for an album and several memorable years of touring.
Some peak concert moments from the last few years propel the soundtrack – from Chickie Wah Wah, Maple Leaf and PineCohn with interviewer Ric Stewart. Catch the whole series including #10 with Joe Krown, #18 with Alvin Youngblood Hart both playing along with Mali here and at our YouTube Channel.