Janiva Magness traces her career and New Orleans inspirations in the Blues Center interview with Ric Stewart. She gets started as an engineer, then a background singer for soulman Herman Jones. Later she cuts three attention grabbing releases for Alligator. She talks country and blues sources Hank Williams, Patsy Cline, Tex Ritter and Leroy Carr & Scrapper Blackwell. With powerful stage performances of “Long As I Can See The Light” “Moth to a Flame” and more.
Ahead of his India debut, the American bluesman looks back on his eventful career.
Walter “Wolfman” Washington is a musician of unparalleled versatility. The American blues vocalist-guitarist’s roots might be in the blues—he’s been performing it for over half a century—but in the past three decades, he has also whipped up some wholesome funk and R&B. It can be heard best on his 1997 record, Blue Moon Risin’.
It is but only natural for Washington to glide between different styles of music effortlessly—he grew up in New Orleans within a family that breathed music. “It was all around me. My whole family was involved in music, including two of my uncles, [the veteran guitarists] Guitar Slim [Eddie Jones] and Lightnin’ Slim [Otis Verries Hicks].”
Next month, Washington will perform for the first time in India, at the Mahindra Blues Festival. “We want to share some of our special brand of New Orleans music with the people,” says the 74-year-old, who started his career as a teenager, playing with pop and R&B singer Lee Dorsey’s group.
Read the full story at: http://rollingstoneindia.com/walter-wolfman-washington-blues-from-new-orleans/
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