King of the Chitlin’ Circuit, Bobby Rush, turns 86 today! His incredible energy and vitality are an inspiration to us all. Winner of his first Grammy in 2017 for Porcupine Meat, he’s miraculously back with another strong release Sitting on Top of the Blues in 2019.
Happy 86, Bobby! To catch his vertical leaps, check him out in BCI #15
On the Delta Blues Trail…crumbs from the Biscuit
Benny Turner, bassist and younger brother of Freddie King talks and plays blues in BCI #16. Benny’s musical journey began in Texas, learning from his mother and uncles alongside Freddie. Playing poker and shunning rehearsals the band roared into the 1970’s with a blues rock sound sharing bills with Canned Heat, T-Bone Walker, Grand Funk and CCR, whose “Lodi” Freddie re-cut as “Lowdown in Lodi.” They embraced country music and loved Hank Williams, but Charles Brown was their idol.
The Rolling Stones began as a Chicago blues ensemble in 1962. As mid-2019 approaches they are set to embark on another U.S. tour. Marksville, LA’s Little Walter featured prominently in Blue and Lonesome the band’s 2016 Grammy winning blues set. The Chicago Tribune offers this run down.
Buddy Guy won this year’s Grammy Award for Best Traditional Blues Album for 2018’s The Blues Is Alive And Well, featuring the Muscle Shoals Horns, Keith Richards, Mick Jagger and James Bay. Buddy Guy has won 7 Grammy awards in his illustrious career.
In the speech Guy mentions the importance of recognizing blues heroes. “Every time I accept an award like this, I do it for some of my friends who maybe didn’t get ’em years ago, especially black people…the late Muddy Waters, T-Bone Walker, Arthur Crudup…they’re still in my heart, and every time I look up, it’s like they’re looking down on me.”
Since not forgetting the greats is the name of the game at the Blues Center enjoy a #bcvaults T-Bone Walker story coming up next…
Soul drumming legend James Gadson graces the Blues Center Interview series with recollections of Ray Charles, The Temptations, Beck and more. He also chimes in on the blues, New Orleans central role in the music and Aaron Neville.
Barry Goldberg in BCI #13 talks about his great fortune playing with Mitch Ryder & The Detroit Wheels on “Good Golly Miss Molly/Devil With The Blue Dress” on his first session, going electric with Bob Dylan, The Electric Flag, Michael Bloomfield, Jimi Hendrix (then Jimmy James), his band with Steve Miller and how he got turned on to the blues in Chicago during the 1950’s. His blues apprenticeship with Muddy Waters and Howlin’ Wolf paved the way. Now he’s in The Rides with Stephen Stills and Kenny Wayne Shepherd. Some tasty piano licks fill in the gaps.
Jazz saxophonist Charles Lloyd and Louisianan folk-rocker Lucinda Charles have combined for a blues drenched summit, Vanished Gardens. Both artists paid their blues dues. Lucinda began her career playing deep cuts from Robert Johnson and Memphis Minnie, while Lloyd blew in Howlin’ Wolf’s band. Throw in Americana, rock, country, and shake it up to create this sonic landscape. The Marvels consist of Bill Frisell on guitar, Greg Leisz on pedal steel guitar and dobro, Reuben Rogers on bass, and Eric Harland on drums. Vanished Gardens was produced by Lloyd, Dorothy Darr, and Don Was.
Williams moaning vocals showcase her poetic gifts and the Lloyd’s soaring sax make this one of the year’s better releases.
Williams’s moaning vocals lend language to the instrumentalists’ improvisations, and their musical inventions trace the implications of her literary forays. A landmark achievement.
Here is a taste of the Jazz Fest 2018 performance on “Dust”
It’s always heartening to see a new face in the historic genre of blues. One such newcomer is 19-year-old Christone “Kingfish” Ingram. A contemporary of BCI #1’s Jontavious Willis, Kingfish brings an old school blues feel to the material. Heres’ looking forward to seeing his career evolve. In the meantime Rolling Stone profiled the Clarksdale, MS native’s rise…
Is Christone ‘Kingfish’ Ingram the Future of the Blues?
Here is Kingfish playing “Hey Joe”
Rock and Roll Hall of Famer John Oates talks and plays the blues in this recap of his Arkansas album and his dedication to roots music. Find out how the riff for “Can’t Go For That (No Can Do)” came together at Electric Lady Studios in NYC. John plays “Stack O’ Lee” (Mississippi John Hut) and “That’ll Never Happen No More” (Blind Blake) showing off the bumble bee pick. John gives a shout out to Arif Mardin for inspiring his producing style. Subscribe to catch the series.