Benny Turner, bassist and younger brother of Freddie King talks and plays blues in BCI #16. Benny’s musical journey began in Texas, learning from his mother and uncles alongside Freddie. Playing poker and shunning rehearsals the band roared into the 1970’s with a blues rock sound sharing bills with Canned Heat, T-Bone Walker, Grand Funk and CCR, whose “Lodi” Freddie re-cut as “Lowdown in Lodi.” They embraced country music and loved Hank Williams, but Charles Brown was their idol.
The Rolling Stones began as a Chicago blues ensemble in 1962. As mid-2019 approaches they are set to embark on another U.S. tour. Marksville, LA’s Little Walter featured prominently in Blue and Lonesome the band’s 2016 Grammy winning blues set. The Chicago Tribune offers this run down.
Barry Goldberg in BCI #13 talks about his great fortune playing with Mitch Ryder & The Detroit Wheels on “Good Golly Miss Molly/Devil With The Blue Dress” on his first session, going electric with Bob Dylan, The Electric Flag, Michael Bloomfield, Jimi Hendrix (then Jimmy James), his band with Steve Miller and how he got turned on to the blues in Chicago during the 1950’s. His blues apprenticeship with Muddy Waters and Howlin’ Wolf paved the way. Now he’s in The Rides with Stephen Stills and Kenny Wayne Shepherd. Some tasty piano licks fill in the gaps.
Rock and Roll Hall of Famer John Oates talks and plays the blues in this recap of his Arkansas album and his dedication to roots music. Find out how the riff for “Can’t Go For That (No Can Do)” came together at Electric Lady Studios in NYC. John plays “Stack O’ Lee” (Mississippi John Hut) and “That’ll Never Happen No More” (Blind Blake) showing off the bumble bee pick. John gives a shout out to Arif Mardin for inspiring his producing style. Subscribe to catch the series.
The Rolling Stones video cover of Eddie Taylor’s Ride ’em On Down. The Stones last featured it live on July 12, 1962 according to setlist.fm. They began their career as a Chicago blues cover band put together by founder Brian Jones. While he pushed for the Stones to remain more blues purist, he later settled for being a colourist accessorizing Jagger-Richard compositions. At the tail end of the 60’s Mick Taylor followed his bluesy Mayall Band stint with deep explorations into roots music for half a decade. After that the Stones played less Chuck Berry and fewer blues covers while still doing more than the next band. Now 50 years after moving away from blues as a main concert or album motif, the Stones seem prepared to take it in with a concentrated force unseen since 1965 when Satisfaction signaled their pop writing validation. The cd also contains count ’em 4 covers of Marksville, Louisiana’s Little Walter. In 2016, they returned to a work by a Chicago blues icon with Ride ’em on Down. Please enjoy the official video..