He should have been a superstar along the lines of Eric Clapton. Or John Mayer. Someone like that. As gifted as he was as a soul singer, songwriter, guitarist and producer, Hinton should have been rich and famous instead of a tragic cult hero who died broke and broken, known mostly only to hardcore Southern R&B obsessives, a man whose best recordings aren’t even in print right now.
But that’s how the hand of fate works sometimes.
After moving to Muscle Shoals, Hinton played guitar on Staple Singers, Boz Scaggs, Waylon Jennings, Mavis Staples, Toots Hibbert and Jimmy Cliff records. His playing is featured prominently on the Aretha Franklin LP “This Girl’s in Love with You.” And “3614 Jackson Highway,” the underrated covers album Cher made at Muscle Shoals Sound, bearing that Sheffield studio’s now famous address.
Read the full story at: http://www.al.com/entertainment/index.ssf/2018/01/eddie_hinton.html
New Orleans R&B bandleader and session guitarist extraordinaire, Deacon John Moore, recounts the back story of Allen Toussaint and Chris Kenner’s “Land of 1,000 Dances” Deake shares a few laughs and some tasty slide guitar maneuvers.
Stanton Moore drops by Pinecohn Studios to talk blues and how he joined the New Orleans Klezmer Allstars and Galactic. A very busy drummer, Stanton plays regularly with Charlie Hunter, Will Bernard and Tom Morello. Episode #4 features footage Ric Stewart shot in 1996 of Stanton with the Klezmers, a band he still joins! Rare candid moments of his Stanton Moore Trio are also included. Stanton talks about heavy metal, the source of his dynamic attack and great shows in BCI#4. Subscribe to the Blues Center’s YouTube Channel
Little Freddie King sits down with Ric Stewart to discuss his brand of New Orleans blues. The native of McComb, MS is a cousin of Lightning Hopkins who migrated to the crescent city at age 14. After working dockside to pay the bills, LFK cut some highly prized blues recordings over 40 years ago and has continued with a healthy slate of shows and albums over the last decade.
The Georgian blues phenom sits down for the inaugural Blues Center interview. In this expanded edition Jontavious talks about his mentor Taj Mahal, going down to Louisiana to get a mojo hand and Fats Domino’s update to “Junker’s Blues” with “The Fat Man.” Newly added concert footage from his appearances in New York City add to this mess o’ blues. Oh, and he can play county blues like a much older bluesman.
Greenville, GA blues phenom Jontavious Willis made it back to the home of the blues this weekend with a dazzling command of authentic blues played on a cigar box. Part of the 2nd annual New Orleans Cigar Box Guitar Festival, this rendering of B.B. King’s “Rock Me Baby” says it all. More Jontavious coverage to come from Blues Center’s exclusive interview.
The Rolling Stones video cover of Eddie Taylor’s Ride ’em On Down. The Stones last featured it live on July 12, 1962 according to setlist.fm. They began their career as a Chicago blues cover band put together by founder Brian Jones. While he pushed for the Stones to remain more blues purist, he later settled for being a colourist accessorizing Jagger-Richard compositions. At the tail end of the 60’s Mick Taylor followed his bluesy Mayall Band stint with deep explorations into roots music for half a decade. After that the Stones played less Chuck Berry and fewer blues covers while still doing more than the next band. Now 50 years after moving away from blues as a main concert or album motif, the Stones seem prepared to take it in with a concentrated force unseen since 1965 when Satisfaction signaled their pop writing validation. The cd also contains count ’em 4 covers of Marksville, Louisiana’s Little Walter. In 2016, they returned to a work by a Chicago blues icon with Ride ’em on Down. Please enjoy the official video..