Ivan Neville in a Sly set
Henry Butler at the 2017 Jazz Fest
Pianist/organist Joe Krown plays and talks about his wide range of blues, boogie woogie, jazz, ragtime and rock and roll with Kenny Wayne Shepherd, Chuck Berry and Clarence “Gatemouth” Brown in BCI #10. Shot at Pinecohn this oral history gives a bit of the feel of playing in the band, when to improvise and when to adhere to structure. Also Joe Krown Trio w/ R&B legend Walter “Wolfman” Washington hammers on some blues and funky old soul to round out the program.
Lady Marmalade by Deacon John and the Ivories
Debauche at Tipitinas in New Orleans
Peter plays and talks thru his years with the Plimsouls and the Nerves in BCI #9 with Ric Stewart. We detail his solo debut on Geffen with T-Bone Burnett producing. He recounts Elvis Costello playing him “Pair of Brown Eyes,” inspiring a Byrds-like electric folk re-cut with Roger McGuinn, Van Dyne Parks, Jim Keltner and T-Bone backing him. “Old Blue Car” gets a revamp and a 1996 version of “Walk in the Woods” provides the backdrop for an awesome encounter with Bruce Springsteen.
Gravity A performing at the Leaf
Janiva Magness traces her career and New Orleans inspirations in the Blues Center interview with Ric Stewart. She gets started as an engineer, then a background singer for soulman Herman Jones. Later she cuts three attention grabbing releases for Alligator. She talks country and blues sources Hank Williams, Patsy Cline, Tex Ritter and Leroy Carr & Scrapper Blackwell. With powerful stage performances of “Long As I Can See The Light” “Moth to a Flame” and more.
Singer-Actor-Songwriter-Bandleader-Music Historian Billy Vera is the guest for Blues Center Interview #7. With a star on the Hollywood walk of fame right outside the Capitol Records building lauding him mid-career, he has blazed a continual path across the related fields of the entertainment business. His 2017 documentary From Harlem to Hollywood describes his early songwriting success for Ricky Nelson with “Mean Old World” which appeared on the Ozzie and Harriet Show to his #1 hits for Dolly Parton, and then for himself with “At This Moment” in 1987.
His soul duo with Judy Clay, signed to Atlantic and worked with super producer Jerry Wexler to cut wrote “Storybook Children” in 1967. The pairing created a racially integrated act at a time of great tension and rose to fame at the Apollo Theater in Harlem. Some of his other exploits, over 300 liner notes and reissue production credits. He won the Grammy for his liner notes to Singular Genius: The Complete ABC Singles of Ray Charles in 2013.
In this interview he discusses Specialty Records and its remarkable run of hits with Little Richard, Lloyd Price, Larry Williams and more. He also discusses the Beatles, Led Zeppelin and Robert Plant. A fascinating journey across the decades.
Ahead of his India debut, the American bluesman looks back on his eventful career.
Walter “Wolfman” Washington is a musician of unparalleled versatility. The American blues vocalist-guitarist’s roots might be in the blues—he’s been performing it for over half a century—but in the past three decades, he has also whipped up some wholesome funk and R&B. It can be heard best on his 1997 record, Blue Moon Risin’.
It is but only natural for Washington to glide between different styles of music effortlessly—he grew up in New Orleans within a family that breathed music. “It was all around me. My whole family was involved in music, including two of my uncles, [the veteran guitarists] Guitar Slim [Eddie Jones] and Lightnin’ Slim [Otis Verries Hicks].”
Next month, Washington will perform for the first time in India, at the Mahindra Blues Festival. “We want to share some of our special brand of New Orleans music with the people,” says the 74-year-old, who started his career as a teenager, playing with pop and R&B singer Lee Dorsey’s group.
Read the full story at: http://rollingstoneindia.com/walter-wolfman-washington-blues-from-new-orleans/